Box Office Sabermetrics: M. Night Shyamalan is the Jeff Francoeur of Directors…..OR IS HE????
M. Night Shyamalan’s ‘The Visit’ just made surprisingly good money for a small, independent opening. Could he be on the rise as a player again?
M. Night Shyamalan’s ‘The Visit’ just made surprisingly good money for a small, independent opening. Could he be on the rise as a player again?
Hollywood history always makes for fascinating reading. Hindsight and whatnot. During a month in which Sound on Sight takes an opportunity to tip a collective hat in the direction of recently ‘retired’ workhorse auteur Steven Soderbergh, there is a further chance to reel back the years and examine a period of time when one of …
It seems there is a standard line about Pacific Rim that is taking hold in a lot of the conversation I’m seeing about the film. The line I keep reading some variation of is that “Pacific Rim is big, dumb, fun.” The film is two of those things, but what I find perplexing is the …
The advertising campaign for the film After Earth has completely omitted the name of its director, M. Night Shymalan. That’s unusual, because a director who’s had a couple of recent bombs isn’t that big a problem. Anybody can come back from a slump, and many directors have. More intrinsic problems such as a bad script, are much more likely to doom a movie, and they nearly do for After Earth.
A crash landing leaves teenager Kitai Raige (Jaden Smith) and his legendary father Cypher (Will Smith) stranded on Earth, 1,000 years after cataclysmic events forced humanity’s escape. With Cypher critically injured, Kitai must embark on a perilous journey to signal for help, facing uncharted terrain, evolved animal species that now rule the planet, and an unstoppable alien creature that escaped during the crash. Father and son must learn to work together and trust one another if they want any chance of returning home.