Alicia Vikander

‘The Danish Girl’ feels like a collection of dramatic vignettes rather than a unified statement

After being a runaway indie hit earlier this year, a new video explores the use of artificial intelligence in the movies, specifically focusing on the Alex Garland film, Ex Machina. In the video, Garland and his team sit down with The Creators Project to discuss their inspirations for the film, the relation between AI and …

It’s the 1960s. The Cuban Missile Crisis is still fresh in memory. Tension between the USA and Russia are at an all-time high. Seems like the perfect time for their top agents to work together, right? Suave former thief and CIA operative Napoleon Solo (Henry Cavill) infiltrates East Berlin to get spunky car mechanic Gaby (Alicia Vikander) out of there to assist him in locating her missing scientist father.

Do you have a book about a famous author that you want made into a movie? It seems like James Ponsoldt is your guy, at least if you want it well-made. Following his recent work about David Foster Wallace in The End of the Tour, it seems like Ponsoldt will be adapting a book about …

This week’s biggest upcoming project was one so weird that we needed a few days to process it. It has been called Godzilla meets Being John Malkovich and Adaptation (possibly even Lost in Translation for good measure), and if it seems like those two titles don’t add up in anyway whatsoever, you’re not far off. …

Last night on late night, Conan spoke with Ex Machina’s Alicia Vikander and Moone Boy’s Chris O’Dowd, Nathan Lane serenaded Letterman with an original song called “I’m dead inside,” James Corden played human piñata with LL Cool J and Kaley-Cuoco Sweeting, Sofia Vergara and Jimmy Fallon played “catchphrase” on The Tonight Show, and Adam DeVine drank beers in a Man Show toast with Jimmy Kimmel! Plus, Cinco de Mayo jokes.

Ex Machina is a superior techno-thriller that asks a lot more questions than it’s willing to answer. Filmmakers have long exploited the dangers of artificial intelligence, but few have the courage to examine the hubris behind Man’s technological self-destruction. Alex Garland’s assured directorial debut showcases a patient filmmaker adept at world building. Like all good sci-fi films with big ideas and bold visuals, you’ll be thinking about Ex Machina long after you leave the theater.

Anna Karenina Written for the screen by Tom Stoppard Directed by Joe Wright UK/France, 2012 For most of its running time, Joe Wright’s version of Anna Karenina takes place within interior confines, with nearly every scene occurring on a set of noticeable stages. There are no attempts to disguise the artificiality of the film’s appearance: …

Anna Karenina Written for the screen by Tom Stoppard Directed by Joe Wright UK/France, 2012 For most of its running time, Joe Wright’s version of Anna Karenina takes place within interior confines, with nearly every scene occurring on a set of noticeable stages. There are no attempts to disguise the artificiality of the film’s appearance: …