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The Definitive Movies of 1995

The 1990’s introduced the world to Quentin Tarantino, saw the creation of the NC-17 rating, and began the slow call toward fully computer animated films. It began the slow (still slow) movement toward a more diverse industry, with the first African-American director earning an Oscar nomination (John Singleton for “Boyz in the Hood”). And the …

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‘Automata’ feels too slight and ripped off to be successful sci-fi

Automata Directed by: Gabe Ibáñez Written by:  Gabe Ibáñez, Igor Legaretta Gomez, Javier Sanchez Donate Starring: Antonio Banderas, Birgitte Hjort Sorensen, Dylan McDermott, Robert Forster, Tim McInnerny, Melanie Griffith USA, 2014 Following up 2009’s Hierro, Gabe Ibáñez goes from domestic to sci-fi mystery with Automata. Set in 2044 AD, when solar storms turn Earth into …

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‘The Expendables 3’ lands more punches than it misses

The Expendables 3 Directed by Patrick Hughes Written by Sylvester Stallone, Creighton Rothenberger & Katrin Benedikt   Family themes are getting a good workout in action movies lately.  From the ragtag team of outlaws in Guardians of the Galaxy to the Pizza Hut dream-team in Teenage Mutant Ninja Turtles, filmmakers need us to know that …

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‘Femme Fatale’ is De Palma’s looniest neo-noir, and also his best

A sexy thief strips a woman of her golden underwear as her cohort collects them from the other side of the bathroom stall at Cannes. That the absurd, amusing, and schlocky sexuality of the opening heist in Femme Fatale comes from the mind of director Brian De Palma is hardly surprising.

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‘Haywire’ is an effective counter-argument to every claim used to dismiss action heroines

In early 2012, while most of the film world was caught up in Oscar prognostications, one film quietly came and went through theatres, earning less that $20 million domestically, and just over $30 million internationally. That film was Steven Soderbergh’s Haywire, with Gina Carano taking on the lead role of Mallory Kane, and its quiet box office reception is in no way indicative of the film’s quality. While it may appear, on the surface, to be a standard action thriller – and there’s certainly no issue with that, as the genre is littered with efforts that fail to even be competent in their execution – in true Soderbergh style, there’s a lot more going on in Haywire than it may appear at first glance.

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