Batman: the Animated Series

The X-Men’s future appears murky, but the franchise’s history could save its future.

2014 marked the end of many traditions that pop culture fans hold dear. One of the most surprising announcements was the official heralding of the death of Saturday morning cartoons. In September, the CW network’s parent company, Warner Bros., officially ended their run of morning long schedules of animated series, and reverted to cheaper educational …

Gotham has done fairly well, so far, at integrating its cases of the week with its overarching storyline, with last week’s “Arkham” being one of the most momentous episodes yet in moving the season narrative forward, but with “Viper”, the tandem plots fail to blend together with the same consistency. The campy concept of the Viper drug, which gives super strength to its victims before destroying their bone density, could’ve worked if only the writers had decided not to display the victims’ feats of strength with such poorly executed and cartoonish special effects. What Gotham has done well in previous episodes is present a campy idea with a truly gritty noir tone, but the way that these super powered victims are realized, they look more like they belong on the set of Smallville rather than the pulp setting that this series embodies.

“What are you?’ That question has been on many a criminal’s mind for numerous decades. Out of absolute fear, these evildoers stare into the face of darkness personified, a creature of the night that is a true symbol of justice. I’m talking of course about Batman, the Dark Knight, a crimefighter who strikes fear into …