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Constantine, Ep. 1.05, “Danse Vaudou” spreads its plot a little thinly

At first, “Danse Vaudou” seems like a supernatural murder mystery with some added flavor from Emmett Scanlan’s Southern-fried police detective Jim Corrigan, but writer Christine Boylan’s script quickly takes a turn for the better by connecting the case of the week to the personal lives of the victims as well as of John Constantine himself, Zed, and Papa Midnite. The episode uses New Orleans’ voodoo tradition as well as jazz and reggae music to drive the plot and differentiate it from the other settings Constantine and Zed have investigated throughout the series.

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Bear McCreary’s score is the only element in ‘Knights of Badassdom’ to escape unscathed

Knights of Badassdom Composed by Bear McCreary Sparks & Shadows Set against the super-niche world of live-action role-playing (LARP), Knights of Badassdom‘s social misfits approach their real-ish fantasizing the same way they approach their bong hits and guitar shredding: with a dedication that verges on “too much.” Yet Joe Lynch’s horror comedy, which finally earned a …

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SDCC 2013 Wrapup- Part 6: the Exhibit Floor, Costumes, and Starship Smackdown

I left Hall H a bit dispirited to say the least, but trudged forward determined to make the most of my final day at ComicCon. After meeting up with Todd VanDerWerff to record about the convention for the Televerse, I headed to the exhibit floor, hoping to snag a few gifts for my friends less …

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SDCC 2013 Wrapup- Part 2: Small Panel Thursday focuses on production and philosophy

Thursday was a big day for television, with a full day of programming in Ballroom 20 (including Sherlock and the X-Files 20th anniversary panel). Given the craziness of Ballroom 20, I opted for the smaller rooms, starting the day off at a panel called The Anatomy of Superhero Film Music. A group of composers for …

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