Biopic

‘Concussion’ tries so hard not to be a “football film” it compromises the most compelling aspects of its story

‘I Am Thor’ is one of those fascinating documentaries that makes you want to laugh and cry at the same time

Bolstered by the best script of 2015 and masterful performances from Michael Fassbender and Kate Winslet, director Danny Boyle’s propulsive character study is a fascinating glimpse at the evolution of a cult icon.

It’s worth an afternoon at the IMAX theater to take in the sights on ‘Everest,’ but don’t expect any new insight into this harrowing tragedy.

Director F. Gary Gray’s provocative film soars when it sticks to the vibe and pulse of the nascent “gangsta rap” movement. When it delves into serious drama, however, the results are decidedly mixed. Ultimately, the incendiary music and infectious defiance push ‘Straight Outta Compton’ over the top.

Brent Hodge and Derik Murray’s new documentary, ‘I Am Chris Farley,’ tries to illuminate the comedian’s meteoric rise and fall, as well as to understand his delicate psyche. Mostly, it’s another chance to re-live some of Farley’s best bits, which is just enough to recommend this otherwise disappointing chat-fest.

Unbroken Written by Joel Coen, Ethan Coen, Richard LaGravenese & William Nicholson Directed by Angelina Jolie USA, 2014 An unrelentingly grim affair, Unbroken excels at its realistic portrayal of dehumanization, but fails to capture the indomitable spirit of its protagonist.  Angelina Jolie’s film is an impressive technical achievement, and her hero’s journey is undeniably gripping, …

The Imitation Game Adapted by Graham Moore, from the book by Andrew Hodges Directed by Morten Tyldum UK | USA, 2014 Secrets are power.  Whether it’s an indecipherable code controlling the fate of millions or one man’s closeted sexuality, secrets can topple the mightiest of empires.  The Imitation Game follows Alan Turing’s race to break …

Big Eyes Written by Scott Alexander & Larry Karaszewski Directed by Tim Burton USA, 2014 It’s difficult to imagine what Tim Burton was trying to accomplish with his latest effort, Big Eyes.  Tonally, it’s the most confounding movie of the year, pinging wildly between drama, surrealism and farce.  Even the actors seem confused, with each …

As a humble film critic, one can’t pretend to guess at the theory of everything in respect to the physical forces of the Universe. However, there may be a theory of everything concerning biopics, since, as The Theory of Everything demonstrates, they can’t help but all seem exactly the same. Surely, the uniform execution of tropes in storytelling, production, and acting across disparate movies point to the presence of some law underlying reality. Either that or biopics just make people really, really lazy.

The Good Lie Written by Margaret Nagle Directed by Philippe Falardeau Kenya/India/USA, 2014   The Good Lie is an earnest, well-meaning film that overcomes its many flaws to tell a life-affirming story about survival and second chances.  No work of fiction could ever convey the atrocities of the Second Sudanese Civil War, but this is …

If you can imagine Nixon resigning in the middle of All the President’s Men, with the remainder of the film dedicated to Woodward and Bernstein fighting their editor, you have a pretty good idea how Kill the Messenger plays out. It’s not a bad film, but it is a sloppy one that squanders a firecracker start and a terrific performance from Jeremy Renner. As Gary Webb ponders whether to publish his inflammatory story, he is advised that, “Some stories are just too true to tell.” Such is the case with some scripts, which, in their admirable haste to relate the truth, forget the requirements of compelling storytelling. If you want to find the heart of Webb’s story, you’ll have to dig a little deeper.

If all the world’s stage, then surely some players crave the spotlight more than others. And if ever there was a player, it was Errol Flynn. The Last of Robin Hood tells the twisted story of three people who will do almost anything for fame. That each must settle for infamy is one of the juicy, yet unexplored ironies in a movie that doesn’t know which story it wants to tell. By taking an evenhanded and humanistic approach to such salacious subject matter, the filmmakers have effectively squashed any possibility for tawdry fun. Instead, we get a bone-dry historical drama that skimps on the history and bypasses the drama entirely.

John Krokidas’ film debut Kill Your Darlings follows the turbulent University years of famed American beat writers Allen Ginsberg (Daniel Radcliffe), Jack Kerouac (Jack Huston), Lucien Carr (Dane DeHann) and William Burroughs (Ben Foster). Set in the early 1940s at Columbia University and on the streets of New York City, the film centers around the murder of David Kammerer (Michael C. Hall) and the months that led up to it.

Cloclo (English title: My Way) Directed by Florent-Emilio Siri Written by Florent-Emilio Siri and Julien Rappeneau France/Belgium, 2012 Claude François is not an artist whose name resonates very much in North America, yet his impact on the French music scene was second to none during his envious career, which spanned from the early 60s to …

The Lady Directed by Luc Besson Written by Rebecca Frayn France, U.K., 2011 Actress Michelle Yeoh has come a long, long way in her career as an international star. That is not to say that her beginnings were paltry when compared to the status she has now attained, only that her filmmography spans a great …