‘White God’ is a curiously flat depiction of a canine uprising
Kornél Mundruczó’s White God does for Budapest canines what Rise of the Planet of the Apes did for San Francisco simians. Instead of Caesar the ape, White God has Hagen the dog, who endures various means of suffering at the hand of human abusers before leading an animal uprising of his own. That plot point isn’t exactly a third act spoiler, as White God has an in medias res opening wherein Hagen and hundreds of dogs pelt through abandoned city streets, seemingly chasing a girl on a bicycle; the reveal is also the main image being used to advertise the film, so you might also draw a comparison to the Apes series there (“Statue of Liberty… that was our planet!”). It’s certainly an immediate attention-grabber, but it’s a ploy that undermines the power of that eventual climactic turn into ‘caninepocalypse’ mode. It’s not the only thing in the film undermined by the execution.