Black Widow #2 Written by Mark Waid Drawn by Chris Samnee Colored by Matthew Wilson Published by Marvel Comics on April 8, 2016 The first issue of Mark Waid and Chris Samnee’s Black Widow was low on dialogue and context but high on intense action. It was a fantastic and thrilling comic but one that desperately …
Black Widow is off to a blisteringly great start that is simple but highly effective. More comics should take notes from the team of Samnee, Waid, Wilson and Caramagna to focus on utilizing each member of the creative team to make for a truly fun and exhilarating read that couldn’t possibly turn people away from picking up the next issue.
At New York Comic Con, I had the opportunity to chat with prolific colorist Matthew Wilson about his colors and process on The Wicked + the Divine and Phonogram, his relationships with various artists as well as get a sneak peek of the upcoming Black Widow series he is working on with writer Mark Waid (Archie) and artist Chris Samnee (Daredevil). Wilson first came to prominence with his colors on Phonogram: Singles Club with frequent collaborators Kieron Gillen and Jamie McKelvie and has colored a variety of Marvel books, like Thor: The Mighty Avenger, Wolverine, and Secret Avengers. He recently finished a run on Daredevil with Waid and Samnee and is currently taking a break from the Eisner nominated WicDiv as guest artists draw and color this arc. Matthew Wilson is also the colorist on Phonogram: The Immaterial Girl and Paper Girls from Image Comics and Deadpool vs. Thanos from Marvel as well as the upcoming Mighty Thor and Black Widow from Marvel.
It’s hard to stomach that Mark Waid’s Daredevil, which has been hitting stands every month for around four years, is about to end, but it is indeed going to be that time very soon. There’s a feeling of culmination in this penultimate issue, bringing back plot threads from not just the start of the “Marvel Now!” relaunch in 2014, but even before that from the first major part of Waid’s run. The result is solid modernistic superhero storytelling with high stakes, tough battles, and a constant questioning of the hero’s philosophy and capability. It’s a great read, page-for-page.
5. Captain Marvel (Marvel) Captain Marvel #9-#17 Writers: Kelly Sue DeConnick (9-17), Christopher Sebela (10-12), Jen Van Meter (15-16) Pencillers: Filipe Andrade (9-12, 17), Scott Hepburn (13-14), Gerardo Sandoval (13-14), Pat Oliffe (15) Inker: Filipe Andrade (9-12, 17), Scott Hepburn (13-14), Gerardo Sandoval (13-14), Drew Geraci (15-16), Tom Nguyen (16) Colorist: Jordie Bellaire (9-13, 17), Andy …
Picking ten artists out of the vast array of talent working in comics today is an impossible task. These artists were chosen based on the uniqueness of their style compared to the “house” style of Marvel and DC, their ability to create character, setting, and plot through their art, and also on the quality of …