‘Phantom of the Opera’ (1943), a visual feast with the great Claude Rains, is hurt by a laborious script
If plot is used well, then screenwriters and directors can tack on as much as they see fit. However, in a great many instances, that is not the case. In the current example, the issue of a plot-heavy movie dragging the end product down is obvious from the first 20 or 30 minutes. It takes in incredible amount of time before Erique Claudin transforms into the titular antagonist. The film is deadest on making him more deserving of the viewer’s empathy than his 1925 counterpart ever was.
