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Silicon Valley, Ep. 3.03: The Pied Piper Crew Slow Down the Momentum in “Meinertzhagen’s Haversack”

Silicon Valley, Season 3, Episode 3: “Meinertzhagen’s Haversack” Written by Adam Countee Directed by Charlie McDowell Airs Sundays at 10pm on HBO The end of last week’s episode of Silicon Valley was the biggest blow to Richard’s original Pied Piper vision yet; the new CEO Barker had gone all in on the presumably misguided advice of …

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‘What We Do in the Shadows’ shines brightly

What We Do in the Shadows is a new vampire mockumentary that brilliantly straddles the line between accessibility and quirkiness. The pitch-perfect black humor is tempered by a surprising level of tenderness, as well as some sharp observations about the stylized nature of “reality” television. It’s easily the funniest movie of 2015, and seems destined to join the ranks of other classic mockers like This Is Spinal Tap and Best in Show.

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31 Days of Horror: ‘Tucker And Dale vs. Evil’ is dead set on fun

Over the years, Canadian film and television has gotten a reputation for being something that leaves a lot to be desired. It’s often depicted as low budget productions with mediocre acting, and a film grain to make you cringe. Except more and more, outstanding Canadian cinema is making headlines in Hollywood for being cutting edge, artistic, meaningful, not to mention downright funny. From the classic Quebec film C.R.A.Z.Y., the franco-anglo production Bon Cop Bad Cop to The Apprenticeship of Duddy Kravitz, Canadian films are more than just bad film stereotypes; they’re innovative, imaginative, and a joy to watch.

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‘The Double’ Movie Review – an ambitious and darkly funny second feature

The Russian author Fyodor Dostoyevsky has been well served by cinema, especially his major works Crime & Punishment, The Brothers Karamazov, and The Idiot, all of which have received numerous adaptations throughout the decades. The latter was lavished with a recent Estonian take, after receiving a Japanese decoding by Kurosawa no less, as well as Indian and (naturally) Soviet versions. It has taken until 2013 for a filmmaker brave enough to approach Dostoyevsky’s binary second novel; there is a certain numerical sense of doubling, since Richard Ayoade has decided to allocate his second film as The Double, an ambitiously promising plea following Submarine back in 2010.

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