Nashville, Ep. 3.01, “That’s Me Without You” is a solid season premiere
Nashville comes back for its third season with almost no noise. What, after a magnificent pilot two years ago, was once supposed to be a ratings savior for ABC has become an afterthought for the network, who barely publicized its premiere. They have buzzy new shows to talk about: (How to Get Away With Murder, Black-ish), and returning ratings hits to protect: (Scandal, uh… Scandal). And yet Nashville persists on network television representing a category that doesn’t even exist, the musical soap opera. Those two genres have never been more unfashionable. Musicals must cloak themselves in faux-edgy irony like Glee or die spectacular deaths (RIP Smash.) There are other soaps, especially on ABC, but they have to be structured like procedurals and contain a healthy dose of violence to appease the Criminal Minds crowd. Nashville, in all its goofy earnestness, is nothing if not itself.
