The Fiction has been a very entertaining and enlightening ride, venturing beyond the nostalgic connections one has with their childhood into deeper emotions like regret and isolation. Each of the characters within The Fiction were given a respectable amount of treatment, gradually learning over the four issues the way each of them were dealing with these vast emotions and the influence that the past still had.
The Fiction #3 acts as the boiling point to this pressure cooker of a series, really making a statement as one of the best series that BOOM! Studios have released this year. The play on memory and truth, on understanding and ignorance, of good and evil, are themes that continue to be experimented with through Curt Spires’s imaginative script, David Rubin’s surreal and organic lines, Michael Garland’s atmospheric colours and Colin Bell’s quality lettering to top it all off. It will be exciting to see how it will all end, as much as it will be sad.
The newest issue of The Fiction picks up right where the last one left off with Kassie and Max returning to the fictional reality they ventured into as young kids. Kassie has convinced Max to aid her in the hopes of finding Tyler, one of their childhood friends, who has appeared to be taken from their reality into this fictional one.
The Tomorrows follows a slew of titles that attack the current state of the technologically hypnotized society that we live in now. It is great to see an influx of books that tackle a very timely subject matter existing in both the present time, such as Material, or even the future, with The Surface and this very title. No matter the locale, the influences, or the timeframe of said books, analyzing and deconstructing how control and consumption is exhibited through the mass individuals of the world can be uniquely tackled through the visual medium of comic books.
One of the great wonders as a young kid is coming across a story, a book, for the first time and completely falling in love with it. It may be the characters, the elaborate setting, or the fantastical elements of said story that keeps you coming back for more. An attachment is born, a link to a certain story that grows over time, allowing you to get lost in another world time and time again. The Fiction #1 takes this concept of the power of imagination within fictional stories to the literal level. What if you were actually transported to the very setting you were reading about and were able to interact with the characters within?
Pop #1 Story by Curt Pires Art by Jason Copland Colors by Pete Toms Publisher: Dark Horse Pop #1 published by Dark Horse, written by Curt Pires, and drawn by Jason Copland is based around a very Cronenbergian premise (more specifically a son of Cronenberg premise). It is a sci-fi tale about a world where …