David Bordwell, one of film criticism’s eminent scholars and arguably most knowledgeable film historian working today, took to his blog, Observations on Film Art, Sunday to criticize the New York Times for a new series they’ve launched called “The Moviegoers“. In his piece titled “Zip, Zero, Zeitgeist“, Bordwell addresses a trend in film criticism he calls …
Not of the caliber of Carl Theodor Dreyer’s finest achievements, “Master of the House” is nonetheless a vital release, if nothing else because it marks the first American home video version of the film, and anything to boost the availability of the Dreyer canon is a surely a good thing.
Day Two of Ebertfest began early (9 am), with a discussion panel titled “Challenging Stigma Through The Arts”, which focused on Short Term 12 and its depiction of struggling teens. The panelists, a combination of artists, critics, and social work professionals, explored the connection between trauma, expression, and the arts, as well as the progression …