Rick and the group try to adapt to their surroundings in Alexandria, as Carol stages a theft in the gun locker preparing for a potential coup. Meanwhile, Daryl bonds with recruiter Aaron over a major opportunity, and Sasha obsesses over the world outside the walls as she grows astonished at the community’s normality.
When Sleepy Hollow expanded from 13 to 18 episodes for its second season, it was simultaneously encouraging for everyone who wanted more of the show and discouraging for those who appreciated the condensed insanity of season one. One of the arguments frequently hurled at broadcast shows is that with a full season order writers have much more room to fill, and with rare exceptions—The Good Wife being an arguable example—it’s hard to maintain high-energy storytelling for 22 to 24 episodes. There’s been a few flickers of that in recent weeks, but “Heartless” is the first episode to feel entirely like a wash for the season. And more problematically, by producing a slower installment of the show it leaves more time to think about the series’ workings, a risky process on a show as driven by lunacy as this.
Ferrell gets a look at the other side of the Orchestra vs. Winter fight as both her and her daughter are rescued by Bo and Tate, leading her to work with the latter to escape from the ensuing cave-in, in a strong episode.
The Walking Dead, Season 3, Episode 13: “Arrow on the Doorpost” Written by Ryan C. Coleman Directed by David Boyd Airs Sundays at 9pm ET on AMC You have to wonder if tonight’s episode entitled “Arrow on the Doorpost” has any relation to one of Bob Dylan’s masterpieces; an antithesis to the American Dream, Dylan’s …