Belonging to countless late-sixties, early-Seventies American counterculture road films, Vanishing Point quickly became a cult classic of the car-movie genre. Richard Sarafian directed this minimalist chase film, starring Barry Newman as Kowalski, an ex-marine, ex-race car driver and ex-cop behind the wheel of a Dodge Challenger – who must deliver the automobile from Colorado to San Francisco in less than 15 hours.
I’ve got Martin Scorsese and Quentin Tarantino on my mind these days. It’s a product of the end-of-year hurrahs for Scorsese’s Hugo. The film goes into the Academy Award ceremonies with 11 Oscar nominations – the most of any film this year – including a Best Director nod for Scorsese. Win or lose, Marty’s on …
Spoke Art, the team behind the recent Wes Anderson-themed Bad Dads exhibit in San Francisco is heading to New York for their next big film-themed art show titled Quentin vs. Coens. The exhibit will be open from April 7-April 9 at the Bold Hype Gallery in Manhattan and includes work from over 100 artists who …
Since the earliest days of American cinema there has been a shadowy counterpart to the commercial mainstream: exploitation movies — pictures whose appeal lies in their sensational treatment and leering promotion of often lurid and prurient material. Pre-1960, when mainstream Hollywood worked within severe restrictions on content, exploitation movies offered audiences titillating glimpses of the …