In the late 1970s and 1980s, composer Giorgio Moroder was often accused of trying to replace the orchestral movie soundtrack with high-energy, synthesizer-heavy disco pop laid on with a trowel in movies like Thank God It’s Friday (1978), Flashdance (1983), Scarface (1983), and Top Gun (1986). I remember a magazine story on Moroder which quoted …
Tony Scott, one of Hollywood’s most marginalized auteurs and easily one of the most exciting presences in that market, died recently of suicide. But this particular obituary will be less a mourning and more a celebration of his artistry. This artistry sharply divided critics and audiences alike, more specifically in the last 10 years of …
Let Me In Directed by Matt Reeves vs. Let The Right One In Directed by Tomas Alfredson Even in a pop culture landscape littered with the bloodthirsty undead, Let The Right One In stood out as a poignant coming of age story as well as a bone-chilling horror film. The haunting mediation on the difficult …