Elevator to the Gallows

Le silence de la mer is a daring experiment in restrained plotting and minimal characterization.

“Though dealing with adults and serious adult situations, ‘Jules and Jim’ exhibits a formal sense of unbridled glee, with brisk editing, amusing asides, and a sinuously mobile camera. It is alive like few films are.”

It’s past midnight in the dark Le Poste Parisie recording studio. Miles Davis steps up to the microphone, his face illuminated by the flickering cinema screen in front of him. He sees Jeanne Moreau walking slowly along the Champ-Elysses on a stormy night, her face lit only by the lights glowing inside the cafes, bars …