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Television that Home Video Forgot: V (2009)

There might not be another show that is more fitting to commemorate Mother’s Day with than this series, which happens to be all about mothers and what they are willing to do to protect their children or in this case, an entire race. The themes of motherhood are built into the genetics of this series, particularly with Anna’s stronghold and issues with both her daughter and her own mother. Another reason to feature this series is because it is not often remembered well, perhaps because it does not live up to the original series, as most would’ve thought it should. There are probably plenty of reasons as to why this series is not favorably considered by critics—perhaps it’s too soapy or too cookie cutter to be a true revival of the ideas and themes of the original series—but if one disassociates this show from the original series, there is a good chance that audiences will find that there is something here that is worth revisiting.

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Perfectly perfect in every way: Lost’s best episodes, by season

Lost was a landmark series for network television, a one-of-a-kind show that producers and executives are still trying, and failing, to recreate. It’s been ten years since it premiered, on September 22, 2004 (which, coincidentally, was the date of the crash of Oceanic 815). Rather than try to make a simple Top 10 Episodes list, …

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Revolution, Ep. 1.20: “The Dark Tower” stumbles in places, but delivers a mostly exciting finish to the season

Revolution, Season 1, Episode 20: “The Dark Tower” Written by Eric Kripke and Paul Grellong Directed by Charles Beeson Airs Mondays at 10 pm (ET) on NBC With the second half of Revolution’s first season focusing on The Tower that could turn on the power for the world at large, the leadup to this week’s …

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Revolution, Ep. 1.14: “The Night the Lights went out in Georgia” goes beyond the Monroe Republic borders while revealing more about the nanites

While Revolution’s entire run to date has focused on the Monroe Republic, details have indicated that the collapse of the government following the loss of power led to numerous rogue factions taking control of various parts of the former United States, with Monroe and Miles only getting one part of it. The prospect of seeing how the other areas were ruled, and how the people in other parts of the country had coped with the loss of power, has thus been a very intriguing one, and it is this idea that the show explores this week, in an episode that opens up some intriguing new avenues for the show to explore.

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Revolution, Ep 1.11: “The Stand” is a strong return for the show, with some unexpected turns

Revolution, Season 1, Episode 11: “The Stand” Written by Anne Cofell Saunders and Paul Grellong Directed by Steve Boyum Airs Mondays at 10 pm (ET) on NBC Coming back from a four-month hiatus is not easy for any show, and is doubly difficult for a first-season show that has yet to develop a strong loyal …

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PaleyFest 2013: Watch the full panel for ‘Revolution’

One of the breakout hits of the fall 2012 television season was the NBC drama Revolution. Boasting the backing of television juggernaut JJ Abrams and Supernatural creator and ex-showrunner Eric Kripke’s creative input, the show examining an America where the power seems to have permanently died out, the show soon revealed there was more to …

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Extended Thoughts on ‘The Santa Clause 2’

The Santa Clause 2 Directed by Michael Lembeck Written by Don Rhymer, Cinco Paul, Ken Daurio, Ed Decter, John J. Strauss Starring Tim Allen, Elizabeth Mitchell, Spencer Breslin, David Krumholtz, Judge Reinhold, Eric Lloyd Why wait eight years between the original Santa Clause and its follow-up, The Santa Clause 2? This is a question I’ve …

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Revolution, Ep 1.10: “Nobody’s Fault But Mine” leads the show into the hiatus by emphasizing many of its strengths

Revolution, Season 1, Episode 10: “Nobody’s Fault but Mine” Written by Monic Owusu-Breen and Matt Pitts Directed by Frederick E.O. Toye Airs Mondays at 10 pm (ET) on NBC Midseason finales are always tricky for a show to pull off. If there’s too much of a reveal, audiences may not be motivated to return when …

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