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‘God Help the Girl’ is a spotty but largely winning pop musical

There are hints of Jacques Demy aspirations, fashion chic in vein with the Nouvelle Vague, and one can’t help but think of the films of Scotland’s Bill Forsyth (Gregory’s Girl, Comfort and Joy) with the mostly warm tone of God Help the Girl’s use of inner and greater Glasgow. What Murdoch’s film most recalls, however, is the British New Wave of the 1960s, particularly the works of Richard Lester (A Hard Day’s Night, The Knack …and How to Get It) and John Schlesinger’s Billy Liar; Browning’s Eve even sports a hairstyle for a while that strongly recalls British New Wave regular Rita Tushingham.

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‘Magic Magic’ Movie Review – carefully circumvents genre tropes to create a deep sense of unease

Magic Magic Written by Sebastian Silva Directed by Sebastian Silva U.S.A./Chile, 2013 It is always an exciting prospect when new, young actors begin to make serious headway in film or television, proving their worth as performers and whose names cause movie goers’ head to perk at the mention that they are starring in an upcoming …

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EIFF 2013: ‘Magic Magic’ is a superbly claustrophobic and strange thriller

It’s become something of a cliché to draw links between any claustrophobic discomfort piece and the work of Roman Polanski. Magic Magic not only has the chamber piece qualities of the man’s apartment films and Carnage, but also the island locale and proximity to paralyzing waters of films like Knife in the Water, Cul-de-sac and The Ghost Writer; furthermore, it also shares a blonde protagonist losing her grip on reality à la Repulsion. It’s an easy film to play ‘Spot the Roman’ with, but the comparison is valid and not just superficial checklist-ticking in this case. If, as a whole, it never reaches the same heights of quality as the best of Polanski’s more horror-inclined films, Sebastián Silva’s unnerving and enigmatic thriller has scenes that certainly stand up to worthy association.

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