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‘Old Man Logan’ #1 is a sad spaghetti western with superheroes

Old Man Logan #1 is a lot of things. A character study that captures the feral and peaceful parts of Wolverine through Maiolo’s shifting colors (The more violent the panel, the flatter the colors.) and Sorrentino’s layouts and close-ups of his well-worn face. It is also a chance for two of comics’ finest storytellers to place their mark on a classic genre. Even if you hate Wolverine, Old Man Logan #1 is worth picking up for its exploration of one man trying to find a kind of morally grey hope in a world bereft of it wonderfully rendered in a tapestry of blood, gunpowder, and desert sand. Leone, Morricone, and Eastwood would be proud.

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‘Astonishing X-Men’ Gifted is character driven superheroics at its finest

Astonishing X-Men “Gifted” is one of those storylines that will make long term X-Men fans purr with delight beginning the Claremont era flashbacks in issue one. (Cassaday mimics Byrne’s art quite well.) It also can turn fans (like me five years ago) of the films and cartoons into mutie and comics junkies. Whedon pays homage to older X-Men stories without getting mired in continuity and quickly places his own stamp on the franchise by creating a new alien foe for them (Ord of the Breakworld), exploring the mutant as outsider metaphor with the cure of the X-gene, giving SHIELD a new branch (SWORD), and also bringing a beloved character back from the dead (Colossus) in a touching, visceral way that serves the long term storyline. However, the best part of Astonishing X-Men “Gifted” other than John Cassaday’s detailed, cinematically composed art and Whedon’s insanely quotable dialogue is the character arcs for each X-Man nestled in the bigger plot.

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New X-Men “E is for Extinction” Changes Everything for Marvel’s Mutants

New X-Men #114-116 Writer: Grant Morrison Penciller: Frank Quitely Inker: Tim Townsend (114-115), Mark Morales (115-116), Dan Green (116) Colorist: Brian Haberlin (114-115), Hi-Fi (115-116) Publisher: Marvel Comics In 2001, the X-Men were both everywhere and nowhere. Bryan Singer’s X-Men film had been released the previous year and was a commercial and critical success. It showed that superhero films …

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Uncanny X-Men #4 is Going Nowhere Fast

Uncanny X-Men #4 Writer: Brain Michael Bendis Pencils/Colour: Chris Bachalo Ink: Tim Townsend, Jaime Mendoza, Al Vey & Victor Olazaba Letters: VC’s Joe Caramagna Cover: Bachalo & Townsend Publisher: Marvel Comics The mutant revolution takes a baby-step forward this week with Uncanny X-Men #4. While the series has been a highlight of the Now! reboot for many, the …

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