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Bates Motel Ep 1.09: “Underwater” is the most entertaining episode yet

“Underwater,” the penultimate episode in Bates Motel’s first season, may well be the most entertaining episode yet, by introducing some much needed dark humour to the series. Between Norma and Dylan’s reactions to Norman’s new pet Juno and Emma getting high; “Underwater” is terrifically funny in and throughout. Unlike last weeks episode, the wacky comic relief here is purely intentional.

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Bates Motel Ep 1.08: “A Boy and His Dog” is weird, campy, funny and awkward

Bates Motel Season 1, Episode 8 “A Boy and His Dog” Directed by Ed Bianchi Written by Bill Balas Airs Monday nights at 10pm ET on A&E As we close in on the end of the first season of Bates Motel, its apparent that the series is trying its best to develop a few new plot …

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Bates Motel Ep 1.07: ‘The Man in Number 9’ is the best episode yet

How about we start with the stray dog. Lately, we’ve been getting more glimpses of Norman’s darker side and while watching Norman crouched down, hammer-in-hand and calling for the pup, I’m pretty sure most viewers were fearing for the dog’s life. It isn’t a big secret that the victims of serial killers are usually animals at first, but would the show be pushing Norman on the “textbook” serial killer course so early on? Story lines seem so quickly resolved in Bates Motel, and in what is already a short season, that possibility was left open.

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Bates Motel, Ep. 1.05: “Ocean View” another solid episode powered by great performances

Bates Motel, Season 1, Episode 5: “Ocean View” Written by Jeff Wadlow Directed by David Straiton Airs Mondays at 10pm ET on A&E Bates Motel, which has now aired five episodes, tells the story of Norman Bates (Freddie Highmore), a smart but troubled17-year-old, and his over-controlling mother, Norma (Vera Farmiga). In this week’s episode, “Ocean …

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Bates Motel, Ep. 1.04: “Trust Me” functions perfectly on its own terms, without any knowledge of Hitchcock’s masterpiece

Anyone who’s seen Psycho and watches Bates Motel brings his or her own insights, prejudices, fears, and collective memories into the interpretation, and that’s the biggest challenge the showrunners face. The greatest coup the writers of Bates Motel pull each and every week is that they constantly surprise us by having the characters do the unexpected.

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Bates Motel, Ep. 1.03: “What’s Wrong with Norman” is a chilling, often baroque journey into insanity

In Bates Motel, the audience is led on a journey into the psychological abyss. Littered with Freudian symbolism, the series is both suffocating and schizophrenic – and it’s central character is tragically imprisoned by both his past and his mind. Bates Motel is a prolonged intrusion on the personal space of the Norman and the viewer.

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Bates Motel, Ep. 1.02: “Nice Town You Picked Norma ” has far more on its mind than Norman

Bates Motel, Season 1, Episode 2: “Nice Town You Picked Norma” Written by Kerry Ehrin Directed by Tucker Gates Airs Mondays at 10pm ET on A&E In 1960, Alfred Hitchcock was already famous as the screen’s master of suspense, but when he released Psycho he forever changed the shape and tone of the screen thriller. Infamous for …

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Bates Motel, Ep. 1.01: “First You Dream, Then You Die” feels like a cross between Lynch and Hitch

Bates Motel, Season 1, Episode 1: “First You Dream, Then You Die” Written by Anthony Cipriano Directed by Tucker Gates Airs Mondays at 10pm ET on A&E In 1987, a year after the second Psycho sequel hit the big screen, Universal looked to take the franchise to television by turning it into a weekly anthology …

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