With Goodbye to Language, Godard sought to explore a certain kind of language that cinema still allows: “A mixture of words and images.” To that aim, I would say mission accomplished.
THE DIGITAL ERA: REAL-TIME FILMS FROM 2000 TO TODAY 40 years before, in 1960, lighter cameras enabled a cinéma vérité-flavored revolution in street realism. By 2000, new digital cameras suggested a whole new set of promises, including telling stories that would have been unimaginable within minimum budgets for features even ten years before. In 2000, …
THE POST-1960S, PRE-DIGITAL AGE: REAL-TIME ONE-OFFS, 1975-1998 British filmmaker John Byrum is responsible for the first (and in some ways only) real-time period film. Inserts (1975), set in the early 1930s, is about a Boy Wonder movie director (called Boy Wonder, played by Richard Dreyfuss fresh from American Graffiti (1973) and Jaws (1975)) now washed …
When I finally got around to seeing Alfonso Cuaron’s Gravity, the thing I kept saying to people was, “Isn’t it funny that this film needs to be seen in 3D and yet itself does not justify 3D’s place within cinema?” I still hold my “it’s fine” opinion on that film, denying its status as an Avatar0esque game changer, and I thought I’d have to keep searching for that. Luckily, I found it right off the bat at the New York Film Festival: Jean-Luc Godard’s Goodbye to Language 3D redefines not only 3D in film, but quite possibly film itself.
The difficulty in counting down films so clearly influenced by Kubrick is that there are certain directors who are just tailor-made for it. So, you start to run into situations like this section of the list, where two directors have two films and two other directors had a film mentioned in the last section. But …
With every awards season comes a flood of “best of” compilations and top ten lists, but film scores can be tricky in that department. After all, different composers are operating on different levels, each one working toward a separate goal in his or her respective picture. Brian Tyler aims for something propulsive and heroic in Iron …
Part 2 will cover: – Best Actor – Best Actress – Best Supporting Actor – Best Supporting Actress – Best Film Best Actor – Bruce Dern (Nebraska) – Tom Hanks (Captain Philips) – Christian Bale (American Hustle) – Leonardo DiCaprio (Wolf of Wall Street) – Chiwetel Ejiofor (12 Years a Slave) All nominees have performed …
It’s that time of the year again when the British Academy of Film and Television Arts celebrates the best of the cinematic world. With the awards taking place just shy of a month before the Academy Awards, it is time to start making those all-important predictions. Part 1 will cover: – Best British Film – …
Lone Survivor Written and directed by Peter Berg USA, 2013 The most unsettling moment in Lone Survivor, upon reflection, is its opening shot, one that mirrors the first moments of the extended long-take beginning of Gravity, albeit in a more Earthbound fashion. The former is a static shot of bleak, dry land in Afghanistan as …
As with any year, some people have begun arguing that 2013 was a bad year for film, because of the expected glut of effects-heavy blockbusters that litter the multiplexes each summer, or because there was a lack of auteur-driven storytelling for the majority of the year. Though it is indeed frustrating that studios hold their …
As Alfonso Cuaron’s mega-hit Gravity continues to rack up praise and big box office dollars, it’s a good time to take a critical look at the weakest aspect of the film, which is the lead acting performance of Sandra Bullock. It’s widely known that Cuaron’s first choice, Angelina Jolie, fell through and there were reported …
By now, Alfonso Cuarón has pretty much earned the crown of being one of the best, if not the best, technicians in modern cinema. His last three films—Harry Potter and the Prisoner of Azkaban, Children of Men, and now Gravity—all demonstrate a playful and intelligent command of space, his camera always roving in, around, and out of locations whenever possible. Gravity raises the bar for technical prowess in mainstream filmmaking, and Cuarón doesn’t shy away from the challenge of a film set entirely in space. This is nothing short of a flawless technical exercise, a frequently intense and relentless theme-park ride of a movie. The real downside is that Cuarón could’ve made more than just a ride.
Now that Alfonso Cuaron’s long-in-the-making sci-fi spectacle Gravity has smashed its way through Venice and TIFF (it’s astounding), its detractors have raised two major objections: first, that its spectacle comes at the expense of its emotional content; second, that its lengthy, whirling camera movements are self-conscious and barely motivated, summarized by Nick McCarthy for Slant …
Every Labor Day weekend, cinephiles journey out to a small town nestled in a remote corner of southwest Colorado’s San Juan mountain range for the Telluride Film Festival. Production staff are hard at work building state-of-the-art theaters for more than a month before the event and readying for a sudden influx of dedicated filmgoers. Veteran …
2013 is here. Obviously its extremely early in the game, but the biggest moneymaker of the year so far has been Texas Chainsaw 3D. That says something about a landscape of movies full of reboots, remakes and sequels.What it says is that they work. Is this a sad fact? Yes, in some ways its a …
Chris Clemente, Justine Smith and Ricky D each choose their ten most anticipated films of 2012. The list begins with Chris’s picks. Click “Next Ten” at the bottom of the page to continue on. Please note: These lists are in no particular order. 2012 is shaping out to be a banner year for Hollywood blockbusters. …