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The Conversation: Drew Morton and Landon Palmer Discuss ‘Paris, Texas’

Throughout Wim Wenders’s Paris, Texas (1984), Travis Henderson (played by Harry Dean Stanton) carries with him a photograph of an empty lot he bought in the eponymous city, which he later tells his son is near “the Red River” that borders Texas, Oklahoma, and Arkansas. The reference automatically draws to mind Howard Hawks’s beloved 1948 Western, Red River, which drew together an unlikely screen pair with John Wayne and Montgomery Clift.

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Through This Lens: Wim Wenders’ ‘Paris, Texas’

Paris, Texas (1984), a collaboration by writer Sam Shepard and director Wim Wenders, is a film of dichotomies: dichotomy of location, of ideals, of personalities, of gender roles. Even the words in its title are at odds with each other. The film follows Travis Henderson, played by a worn Harry Dean Stanton, who is always …

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‘Harry Dean Stanton: Partly Fiction’ – The quiet man in a quiet portrait

In keeping with the acting style of the subject of its focus, Sophie Huber’s Harry Dean Stanton: Partly Fiction stays away from extremes in its portrait of one of America’s greatest actors. There is affection, but it is understated and not glowing, while any melancholy elements are not over-stressed.

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EIFF 2013: Harry Dean Stanton profiled in the terrific ‘Partly Fiction’

In keeping with the acting style of the object of its focus, Sophie Huber’s Harry Dean Stanton: Partly Fiction stays away from extremes in its portrait of one of America’s greatest actors. There is affection, but it is understated and not glowing, while any melancholy elements are not over-stressed. The facts and opinions expressed, through Stanton and various collaborators, are simply allowed to be – free of added manipulation – in what amounts as a rather quiet documentary, excluding film clips with their own soundtracks and instances in which we get to see Stanton express his passion for performing music. Like the documentary’s most discussed film, Paris, Texas (1984), Partly Fiction is serene but also apt at emotional devastation, though as in Wim Wenders’ masterpiece, sorrow and optimism are intertwined.

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David Lynch’s tryst at the Mouse House in ‘Straight Story’

The Straight Story Written by John Roach & Mary Sweeney Directed by David Lynch France/UK/USA, 1999 A film entitled The Straight Story seems like a lie in the bizarre hands of a director like David Lynch, famous for injecting art house storytelling and theater styling into his more mainstream fare. An adaptation of an Iowa farmer’s journey? …

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Extended Thoughts on ‘One Magic Christmas’

One Magic Christmas Directed by Phillip Borsos Written by Phillip Borsos, Barry Healey, Thomas Meehan Starring Mary Steenburgen, Harry Dean Stanton, Elisabeth Harnois, Gary Basaraba I suppose it’s perfectly fitting that religion became a topic of discussion on our most recent episode, seeing as the movie we were discussing was set at Christmas, one of …

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‘This Must Be the Place’ is a strangely compelling oddity

This Must Be the Place Written by Umberto Contarello and Paolo Sorrentino Directed by Paolo Sorrentino Italy/France/Ireland, 2011 “Something’s wrong here. I don’t know exactly what it is, but something’s wrong here.” Repeated by its protagonist throughout This Must Be the Place, the line captures the baffling quality of Paolo Sorrentino’s English language debut. An …

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Glasgow Film Festival 2012: ‘This Must Be the Place’ is a strangely compelling oddity

This Must Be the Place Written by Umberto Contarello and Paolo Sorrentino Directed by Paolo Sorrentino Italy/France/Ireland, 2011 “Something’s wrong here. I don’t know exactly what it is, but something’s wrong here.” Repeated by its protagonist throughout This Must Be the Place, the line captures the baffling quality of Paolo Sorrentino’s English language debut. An …

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