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The Definitive Movies of 1995

10. Waterworld Directed by: Kevin Reynolds It could be the flop of all flops. At the time, “Waterworld” was the most expensive film ever made. Starring Kevin Costner, “Waterworld” is a science-fiction/fantasy film taking place roughly 500 years after the polar ice caps melted in the beginning of the 21st century, effectively covering the entire …

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Thanks for Noticing, Golden Guy: Top Ten Oscar-Nominated Actor Acknowledgements

The 87th Academy Award nominations were released on January 15, 2015 representing the excellence in film for the previous year. Naturally there was the standard controversy regarding those films and performances that got unfairly overlooked. Unfortunately, the perceived snubs do happen from year to year so this goes along with the territory. Nevertheless, the lucky …

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Tokyo 2014: ‘Big Hero 6’ a compelling futuristic adventure comedy with surprising deftness

Loosely inspired by an obscure series of Marvel comics, Disney’s Big Hero 6 is here to firmly shut the door on Let It Go’s last dying breath with an unlikely origin story that merges the emotional core we’ve come to expect from the House of Mouse, with a splashy, manga-like aesthetic and millenial sensibility. From the vibrant cosmopolitan mash-up San Fransokyo, where the story takes place, to the technologic conundrum of research development versus sale for immediate gain that protagonist Hiro (Ryan Potter) faces, Big Hero 6 weaves together a compelling futuristic adventure comedy with surprising deftness.

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‘Still Mine’ a slight but sweet tale anchored by a gruff James Cromwell

James Cromwell is the kind of actor who has looked, for a long time, perpetually wizened; he is a man who lived a full life before he stepped in front of the cameras. That elderly, grandfatherly quality is put to good use in the Canadian drama Still Mine, a patient and relaxed adaptation of a true story of a long-time married couple who run into government red tape despite having the best of intentions. Still Mine relies less on an excess of plot than on its performers feeling like real people, the relationships long since established, and does so adequately.

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‘The Artist’ works as an effective homage to, rather than an irritating aping of, a particular brand of populist cinema

The Artist Written and directed by Michel Hazanavicius France/Belgium, 2011 This review contains some minor narrative spoilers. Contrary to an assertion prominent in its now mammoth publicity machine, The Artist is not a silent film. There are actually some notable examples of diegetic sound within it, and aside from being in black and white, though …

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