The fall TV season is just kicking off and it’s time to begin crafting a weekly TV-viewing schedule that fits your needs, genre preferences, and tastes, and that hopefully includes something old, something new, and something that’s been around for a while that you’ve been meaning to check out. Following up on Sound on Sight’s coverage of …
Parenthood has had an uneven season. After starting the year out promisingly, odd and unexamined character choices started to take over the show, leaving the audience to connect the dots to understand the extreme reactions (or lack of reactions) demonstrated by several characters. Joel, swamped at work (except when he isn’t), reacts poorly to Julia’s indiscretion and leaves. Hank’s back, but he’s not with Sarah, and no one knows why. Kristina runs for mayor, because remission? , and Adam, inspired by her, convinces Crosby to start their own label. Several of these storylines overstayed their welcome, stretched too thinly over the 22-episode season, but fortunately the finale draws more heavily from the narratively energetic start of the season than the slog that was much of its second half.
Katims’ choice not to end the year with the plot-heavy “Election Night” makes sense; “All That’s Left is the Hugging” is far more introspective and cathartic, seemingly tying up several of the year’s early arcs tidily while setting up the continuing storylines for what’s undoubtedly going to be a tough second half of the season.
Over four seasons, one show that initially flew under the radar but has been steadily gaining critical and commercial acclaim is the NBC show Parenthood. With the 1989 Ron Howard film namesake serving as a loose inspiration, the story of the numerous members of the Braverman family has quietly become one of the more critically …