‘Red Sonja’ #2 shows the power of propaganda
In Red Sonja #2, Marguerite Bennett continues to layer political themes in the background while telling the story of Red Sonja trying to adapt to a more complicated Hyrkania after a long absence.
In Red Sonja #2, Marguerite Bennett continues to layer political themes in the background while telling the story of Red Sonja trying to adapt to a more complicated Hyrkania after a long absence.
Red Sonja #1 has anything a fan of female fronted sword and sorcery comics could want from political intrigue and commentary to sweeping landscapes from Aneke and colorist Jorge Sutil, who gives Hyrkania the bluest skies and greenest woods as a facade for the corruption that infects this land that seems semi-utopian on the surface. (Namely, random settlers give Red Sonja sass when she offers to protect them for food, drink, and shelter.) And there also plenty of earthy humor and wit in writer Marguerite Bennett’s script, who continues to keep Red Sonja stinky from the moment she pulls the heart out of a bull monster. Bennett also explores Sonja’s approach to romance and relationships as well as her need to always be fighting or protecting someone and balances it nicely with the political intrigue.
Swords of Sorrow # 3 offers a nice bit of rising action in the plot. The banter gives insight and humor to scenes. The artwork fits the mood and tone of the writing just right. The comic will leave a reader wanting to more about what is to come for the heroines, and what exactly is at play for the villains.