As Night and the City progresses, jealously runs into greed, ambition meets deception, and one double-dealing move encounters a newly revealed double cross. Before he knows it, Harry is in over his head on any number of different fronts.
If it wasn’t obvious enough already for the reader, Jules Dassin’s Night and the City is a stunning example of film noir done right. It is possessed by a nasty bite that drives most of the action and is quite often absolutely ruthless in its execution. Here is a film that pulls no punches, that features too much bleakness for their to be any light to find for refuge.
Rififi Written by Auguste le Breton, Jules Dassin and René Weeler Directed by Jules Dassin France, 1955 Having recently concluded a prison sentence, Tony ‘le Stéphanois’ (Jean Servais), former thief, is now a poor man, reduced to late night gambling to earn paltry pocket change. His two closest friends and former colleagues, Jo ‘le Suédois’ …
We love crime movies. We may go on and on about Scorsese’s ability to incorporate Italian neo-realism techniques into Mean Streets (1973), the place of John Huston’s The Asphalt Jungle (1950) in the canon of postwar noir, The Godfather (1972) as a socio-cultural commentary on the distortion of the ideals of the American dream blah …