King Hu

One of the distinct pleasures of a feast of film is the screening of vintage classics, restored and resurrected for a new generation of film lovers. This year the London Film Festival is screening glossy new prints of George Cukor’s airy comedy Born Yesterday, John Schlesinger’s 1967 Hardy adaptation Far from the Madding Crowd, and unveiling another collaboration with the Scorsese Foundation to bring Michael Powell’s The Tales of Hoffman to a new generation of cinephiles. Following a more international bend, the Thrill strand of the programme is also hosting a lavish 4K restoration of Dragon Inn, a Chinese world cinema classic which has been re-issued through the Chinese Taipei Film Archive at L’Immagine Ritrovata laboratory in Bologna, culling a new digital dervish which has been colour-supervised by original director of photography Hui-ying Hua.

Come Drink With Me Directed by King Hu 1966, Hong Kong There is always something thrilling and fascinating about a movie that defies ones expectations, giving audiences something they never saw coming. Given that Come Drink With Me is the first film to be reviewed in this series, few expectations existed beforehand. Nevertheless, King Hu’s …