‘Victoria’ is an impressive one-take film
The long take is nothing new to cinema, but now far beyond the punctual formalism of Orson Welles and the wide gentleness of Kenji Mizoguchi, it has obtained nearly folkloric status.
Laia Costa
The long take is nothing new to cinema, but now far beyond the punctual formalism of Orson Welles and the wide gentleness of Kenji Mizoguchi, it has obtained nearly folkloric status.