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A Movie Guide to Your Never-Ending Twenties

An avid student of the depiction of youth in movies, I’ve taken to calling the twenties, as we live them nowadays, the benties, after the British word “bent,” for messed up. And, while I realize not everyone will have found this decade of late adolescence / imposed maturity as disconcerting as all that, I know …

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Why You Should Watch: 7 Days in Hell

7 Days in Hell is an HBO TV mockumentary about the greatest game of tennis ever played, a seven day affair between American Aaron Williams (Andy Samberg) and Englishman Charles Poole (Kit Harrington). The movie was released on July 11th, coinciding with Wimbledon 2015. Somewhat in the spirit of wild sports movies like Adam Sandler’s Happy …

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Girls, Ep. 4.10, “Home Birth” is a hilarious, graceful finale

With “Home Birth”, Lena Dunham and the rest of the Girls team end what has been a strong, but somewhat disjointed season in peak form, delivering a fantastic season ender that could have easily, and satisfyingly, served as a series finale. The episode is creative, moving and laugh out loud rewind-the-DVR-repeatedly-and-belly-laugh-each-time funny (more on Ray later). Even better, it services all of its main characters, putting them in moments of crisis and forcing them to make what could easily become life-altering decisions, all while feeling natural to the characters’ journeys.

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Girls, Ep. 4.05, “Sit-In” says a weighty, heartbreaking goodbye

Hannah and Adam’s relationship has been a staple of Girls. Even when they’ve been broken up or dating other people, their connection has defined much of their individual journeys. Given its significance, “Sit-In” wisely devotes its entire runtime to the dissolution of the pairing, following Hannah through a very long day as she tries to process and accept that Adam’s moved on. Just as much importance is put on the audience’s reaction, with writers Paul Simms and Max Brockman holding viewers’ hands throughout, easing Hannah and everyone watching at home through an unexpected and potentially painful transition. On the whole, they’re successful, though with Marnie and Hannah’s late-episode conversation, the subtext becomes text in the show’s most glaring and least successful meta scene yet. It’s the end of an era on Girls, or so the writers would have us believe, and “Sit-In” is a wonderfully elegiac and fitting goodbye to what has been one of the series’ most significant relationships.

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Girls, Ep. 4.03-04, “Female Author” and “Cubbies”: Everything old is new again

Well that was quick. After only three episodes, Hannah is out of Iowa and back in New York and while the end of “Cubbies” promises plenty of knotty, interesting developments to come, it’s hard not to be disappointed. Girls coped very well with Hannah’s lack of proximity to the group. In the age of Skype, there’s no reason she couldn’t have stayed in close communication with the entire New York crew while exploring her surroundings a bit more and coming to grips with herself in this new context. Most of Hannah’s peers at the Writers’ Workshop remain undeveloped and it’s unlikely any of them will return any time soon. In Iowa, Hannah is surrounded by fellow writers who can challenge her and force her to reevaluate and either commit to or adjust their artistic and personal choices. Unfortunately, Hannah retreats from this challenge and, after a lovely dinner with her Dad, makes another substantial life choice without consulting Adam.

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Girls, Ep. 4.02, “Triggering” brings Hannah to a strange new world

With Hannah’s goodbyes out of the way, “Triggering” opens where many expected the season premiere to begin: Hannah, New York City girl, is in Iowa, and she can’t believe the rent. This episode focuses almost entirely on Hannah’s transition to life at the University of Iowa, surrounded by open green space and her artistic peers. Hannah’s on board with the former, for now, but she’s much less certain about the latter. This is the first time she’s been forced to engage with fellow writers about her personal work, writers who are at roughly the same place in their lives and careers that she is; it’s a lot harder to dismiss their criticisms than those she’s faced thus far.

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Girls, Ep. 4.01, “Iowa” a surprisingly sweet coda to season 3

In many ways a direct continuation of its strong third season, Girls’ season four premiere picks up shortly after the events of last year’s finale, with Hannah preparing to leave for the Iowa Writers’ Workshop, Marnie continuing her musical and romantic partnership with guitarist Desi, Jessa newly unemployed, and Shoshanna freshly graduated. This is a change of pace for the series, which has previously taken advantage of the season breaks to jump its characters forward in time, with significant developments occurring offscreen (the start of Hannah’s relationship with Sandy, Jessa checking herself into rehab, Charlie leaving Marnie). Fun as it may have been to jump right into Hannah’s fish-out-of-water adventure in Iowa, it’s nice to get one more episode with the leads together, reestablishing their bonds before they’re tested.

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“Happy Christmas” spells a different kind of giddy holiday cheer for one wayward woman and her beloved bunch

It is an inherent belief that the holiday season and family gatherings go hand-in-hand like puffy earmuffs on an exposed frozen ear. Well, writer-director (and co-star) Joe Swanberg backs up this assertion with his dysfunctional familial gem Happy Christmas. The gift-giving in Happy Christmas is predicated upon breezy disillusionment, personal and professional malaise, and the underscoring of being unfulfilled. Once again Swanberg puts his unique stamp on the microscopic root of relationships and the fragile consequences of coping with the pressures of such interaction.

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Week in Review: Alex Winter reveals ‘Bill and Ted 3’ plot details

Remember before Keanu Reeves was a badass in The Matrix he was that doofus in a ’80s comedy about time travel that probably isn’t as good as you remember it? You know, Bill & Ted’s Excellent Adventure! It was totally excellent and featured life lessons to live by like “Be Excellent to Each Other” and …

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Girls 3.12 “Two Plane Rides” is a Mix of Darkness and Success for Its Characters

Girls, Season 3, Episode 12: “Two Plane Rides” Written and Directed by Lena Dunham Airs at 10 PM EST on HBO In “Two Plane Rides”, Lena Dunham manages to capitalize on last week’s big reveal where Hannah (Lena Dunham) finds out that Marnie (Allison Williams) and Ray (Alex Karpovsky) have been sleeping together for most …

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Girls 3.11 “I Saw You” is Full of Interesting Plot Developments

In “I Saw You”, the penultimate episode of Girls Season 3, writers Lena Dunham and Paul Simms manage to balance plot and characterization for Girls’ ensemble cast while commenting on the show’s overall themes. The episodes sheds light on the characters’ strength and weaknesses and exposes and accentuates the tension in their relationships. Adam (Adam Driver) is growing apart from Hannah (Lena Dunham) as his play gets closer to premiere and begins to bond with Ray (Alex Karpovsky). Marnie (Allison Williams) gets to meet one of her art heroes, the photographer Beadie (Louise Lasser) while preparing for a big open mic night with Adam’s cast-mate Desi (Ebon Moss-Bachrach). Director Jesse Peretz uses timely scene transitions to show how the different “girls” rise and fall. “I Saw You” does a great job balancing the various characters’ plot lines while still having room for keen observations about them and several funny moment.

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Girls, Ep. 3.10, “Role-Play” takes central relationship to a dark place

Girls Season 3, Episode 10: “Role-Play” Written by Lena Dunham and Judd Apatow Directed by Jesse Peretz Airs Sundays at 10 PM on HBO All the tension building up from Adam (Adam Driver) getting a part in a Broadway play to Hannah’s (Lena Dunham) mom’s offhanded comment about “keeping the job, not the guy” last week …

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Girls 3.09 “Flo” Takes the Show Out of Its Comfort Zone

Girls Season 3, Episode 9: “Flo” Written by Bruce Eric Kaplan Directed by Richard Shepard Airs Sundays at 10 PM on HBO In “Flo”, Bruce Eric Kaplan ditches the entire main and supporting cast, except for Hannah (Lena Dunham) and Adam (Adam Driver), and decides to show her, her mother (Becky Ann Baker), aunts, and cousin …

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Girls 3.08 “Incidentals” is a Strong Episode for Adam and Jessa

Girls Season 3, Episode 8: “Incidentals” Written by Lena Dunham and Sarah Heyward Directed by Richard Shepard Airs Sundays at 10 PM on HBO With the exception of the storyline involving his sister, Adam (Adam Driver) has been on the margins of Girls Season Three. Much of the focus has been on Hannah’s (Lena Dunham) writing career …

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Girls 3.07 “Beach House” Lays the Main Characters’ Relationships Bare

Girls, Season 3, Episode 7: “Beach House” Written by Jenni Konner, Lena Dunham, and Judd Apatow Directed by Jesse Peretz Airs Sundays at 10 PM on HBO Girls continues its focus on character relationships by taking a break from its ongoing plot to show Hannah (Lena Dunham), Marnie (Allison Williams), Shoshanna (Zosia Mamet), and Jessa’s (Jemima …

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Girls 3.06 “Free Snacks” is the Season’s Funniest Episode

Girls Season 3: Episode 6 – “Free Snacks” Written by Paul Simms Directed by Jamie Babbit Airs Sundays at 10 PM on HBO In “Free Snacks”, Girls gets to flex its comedy muscles, and writer Paul Simms sticks hilarious words in the mouths of Hannah (Lena Dunham) and Shoshanna (Zosia Mamet). But he also crafts those two …

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Girls 3.05 “Only Child” Is Filled with Sharp Characterization

Girls, Season 3: Episode 5 – “Only Child” Written by Murray Miller Directed by Tricia Brock Airs Friday nights at 10 PM EST on HBO In “Only Child”, Murray Miller moves the season’s overall plot along and creates a lot of tension between the characters of Girls. While trying to save her “dead” book, Hannah (Lena …

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Girls 3.04 “Dead Inside” an intriguing look at characters’ emotions

  Girls, Season 3, Episode 4, “Dead Inside” Written by Judd Apatow and Lena Dunham Directed by Jesse Peretz Airs Sundays at 10pm (EST) on HBO Like last week’s episode which focused mainly on Hannah’s  (Lena Dunham) 25th birthday party, “Dead Inside” takes another big moment in  her life and uses it as a lens …

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Girls 3.03 “She Said OK” a solid showcase for Alex Karpovsky

Girls Season 3, Episode 3 “She Said OK” Written by Lena Dunham and Jennie Konner Directed by Jesse Peretz Airs Sundays at 10 PM ET on HBO In “She Said OK”, writers Lena Dunham and Jennie Konner slam on the brakes after the big Jessa-centric events of the last two episodes and put plot on the backburner. …

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Girls 3.01 “Females Only” and 3.02 “Truth or Dare” Explores Characters’ Flaws Through Tragedy, Comedy

Girls, Season 3, Episode 1, “Female Only” Written by Lena Dunham Directed by Lena Dunham Girls, Season 3, Episode 2, “Truth or Dare” Written by Jenni Konner Directed by Lena Dunham Airs Sundays at 10pm (EST) on HBO A common complaint from Girls viewers is that the protagonists are quite unsympathetic, especially its main character Hannah Horvath …

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Girls, Ep. 2.08: “It’s Back” reframes our understanding of Hannah with a tricky reveal

Girls, Season 2, Episode 8: “It’s Back” Written by Bruce Eric Kaplan Directed by Richard Shepard Airs Sundays at 9pm ET on HBO Too many Freaks, not enough circuses – AA counselor’s t-shirt Introducing a new aspect to an established character is a tricky business. You run the risk of continuity problems with what’s come before, …

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Girls, Ep. 2.07: “Video Games” Sheds Light on Growing Up

Girls, Season 2, Episode 7: “Video Games” Written by Bruce Eric Kaplan and Lena Dunham Directed by Richard Shephard Original air date: February 24, 2013 In an episode totally in the spirit of season 1’s “The Return”, this week’s episode of Girls sees Jessa and Hannah take a little trip to the countryside to meet with …

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