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The Definitive Movies of 1995

40. Empire Records Directed by: Allan Moyle Ah, the coming-of-age story. There was no sub-genre more hijacked for a quick buck in the 1990’s. In between the good ones (“Dazed and Confused,” “Boyz in the Hood”), the cheesy ones (“She’s All That,” “She Drives Me Crazy”), and the under-appreciated ones (“The Man in the Moon,” …

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The Leftovers, Ep. 1.10, “The Prodigal Son Returns,” ends the season, and any doubts

The Leftovers, Season 1, Episode 10, “The Prodigal Son Returns” Written by Damon Lindelof & Tom Perrotta Directed by Mimi Leder Airs Sundays at 10pm EST on HBO “He’s never coming for us, is he?” Christine asks this to Tommy in regards to Wayne, but in a series that asks all the Big Questions by …

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The Leftovers, Ep. 1.04, “B.J. and the A.C.,” uses Christmas to try to right its wrongs

The Leftovers, Season 1, Episode 4, “B.J. and the A.C.” Written by Damon Lindelof & Elizabeth Peterson Directed by Lesli Linka Glatter & Carl Franklin Airs Sundays at 10pm EST on HBO Starting off positively—and it’s a big one—no new mysteries were introduced this episode! At least, nothing of the paranormal, never-going-to-be-answered-adequately nature. What we …

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The Leftovers, Ep. 1.02, “Penguin One, Us Zero,” makes the show’s true origins known, by hiding everything

While the pilot was almost pure set up, and in this mostly disappointing second episode we have a further muddling of that set-up, what has at least become clearer now is that despite its literary origins, The Leftovers is definitely shaping up to be, for better or worse, Lost’s direct successor.

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SXSW 2014: ‘Space Station 76’ is a look at the future we used to know

Space Station 76 begins with a narration musing on the impermanence and isolation of asteroidal paths. It’s the overarching metaphor in a film that is hilariously set in a nostalgic, 1970s version of the future and populated with hurt, dysfunctional, and yearning characters.

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