Lola Montes

Max Ophüls’ third feature in America, “Caught,” from 1949, is an evocative amalgam of a domesticated melodramatic tragedy and a dynamic film noir sensibility.

How do you measure the value of art? Influence, innovation, inspiration…  Every ten years since 1952, the London based magazine Sight & Sound has compiled the lists of the best critics and filmmakers in order to compile the ten best “greatest” films of all time. The 2012 edition marks the first time since 1962 that …