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VIFF’15: ‘Louder Than Bombs’ occupies a unique space by not conforming to its own genre

Grief, depression, and loneliness. Norwegian director Joachim Trier’s first foray into English language film is rife with subject matter suited for a dour art house affair. Yet Louder Than Bombs is infused with a vibrant humanism that cares for its characters and has a firm grasp of cinematic language and exceptional editing which ratchets it up a notch past a typical prestige drama. It’s too subtle, too bold, too willing to reach into a grab bag of visual styles and character set pieces to care about falling into the right Hollywood genre.

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