Miklós Rózsa

Delmer Daves, an excellent, diverse director, does an extraordinary job at creating a subtly crafted sense of dread in The Red House, shooting many of the same locations by day and by night (interiors and exteriors), setting up the contrast in atmosphere when darkness falls.

Undertones: Volume 2 In the 1940s the consumption of alcohol was predominantly glamorised on the silver screen. Starlets sipped sensuously on their g & t’s whilst detectives downed shots of whiskey before departing the office on a hot lead. If this was an accurate portrayal of the time, one has to ask how the hell …