‘Innocence’: An Education In Gender Norms
*This Post Contains Spoilers* Her first and only feature, Lucile Hadzihalilovic’s 2004 film Innocence, adapting the German novella Mine-Haha, is one of the most elegant explorations of the social construction of female gender ever committed to film. Contrasting sharply with husband and occasional collaborator Gaspar Noe’s urban staccato style, Innocence is full of gentle camera …