The Victorian Era is generally limited to Queen Victoria’s reign of the British Isles from 1837 to 1899. Outwardly, it was a triumphant period as the monarchy presided over a number of territories abroad and proudly extolled the virtues of its ruling classes. Beneath the pomp and circumstance were the millions of sickly poor who …
Why should I care about the Oscars? No, that’s a serious question. Because as much as I hate to admit it, I do. At their very best, the Academy of Motion Picture Arts and Sciences gets it right by tripping and falling into a “Market Irglova & Glen Hansard” here or a “12 minute standing …
In a brief moment of creative boldness in The Theory of Everything, a young Cambridge student Stephen Hawking, played by Eddie Redmayne, ponders over a theoretical concept while pouring milk into a cup of tea. As the white milk swirls in blackness of the tea, the scene suddenly moves in reverse, the swirling moving backwards …
There’s an expansiveness to the emotionality of Spall’s performance, similar again to his paintings. His gruff, guttural line readings, his carefully naturalistic mannerisms and idiosyncrasies, and the tears he sheds are a work of art in and of themselves, allowing Leigh and Spall to create a portrait of a man that does seem to elevate the art in some way. Leigh isn’t bent on building up Turner, tearing him down, and building him up again as so many biopics are prone to do; J.M.W Turner just is. Flawed, powerful, generous, and one hell of an artist.
Suffused with the landscapes that the famed British painter J.M.W Turner admired and translated into legend, director Mike Leigh’s newest film hints at the inner life of the man behind the accomplishments but stops well short of explicating his eccentric actions. Unable to articulate his feelings and more often than not treating the people around him with callous indifference, it’s obvious that Leigh’s Turner has cultivated an environment of emptiness that has allowed him ample space to do exactly what he wants with his life. The silence is frequently richer than the dialogue, with the luscious scenery speaking more to the turmoil of his mind than he can adequately express to those who want to be close to him. Mr. Turner tests one’s patience as we crawl through the waning years of the man’s life, but Spall’s offbeat performance and the gorgeous backdrops immerse the viewer just enough to offset the sparsity of the artist’s stunted emotional intelligence.
The Hype Cycle is News Editor Brian Welk’s roundup of industry news, reviews and predictions of everything Oscar, boiled down into weekly power rankings of the buzziest and most likely contenders in this year’s awards season. This article is Part 2 of this week’s Hype Cycle column. Read Part 1 from yesterday. 7. Foxcatcher and …