Norman Jewison

We love crime movies. We may go on and on about Scorsese’s ability to incorporate Italian neo-realism techniques into Mean Streets (1973), the place of John Huston’s The Asphalt Jungle (1950) in the canon of postwar noir, The Godfather (1972) as a socio-cultural commentary on the distortion of the ideals of the American dream blah …

The French gave us the word “demimonde” – literally, half the world. But what it has come to mean in English, or so says Webster, is “a distinct circle or world that is often an isolated part of a larger world.” Storytellers have always held a fascination with the dark side of human nature; that …