Obi-Wan Kenobi

Obi Wan and Anakin #1 boasts some beautiful setting work and planet designs from Marco Checchetto although his faces are inconsistent, especially with Anakin and another padawan, who looks like a more cartoonish version of Mace Windu. Charles Soule gives his lead character distinct voices and a tense kind of camaraderie as they leap and explore this supposed abandoned planet. However, his plot runs out of steam in the last third of the book, which seems like the first few minutes of an away mission in Star Trek. So despite its interesting conversations about ethics and politics, Obi Wan and Anakin #1 ends being a bit of a mixed bag as far as plot and art and definitely has room for improvement.

For the most part, Star Wars #7 is skippable filler even for hardcore Obi Wan fans. The character does get a bit of an arc, but it is mired down in navel gazing narration and shoddy action set pieces. Colorist Justin Ponsor does nail the fact that Tatooine is the planet farthest from a bright spot in the universe with his light browns and faded whites and yellows with a tinge of red for its beautiful binary sunsets. However, this is just a tiny plus in a book filled with minuses.

A long time ago…in 1999, the pop culture zeitgeist was caught in a Star Wars maelstrom. Writer-director George Lucas and his crack creative team had gone back to the well that made space opera cinema what it is known and appreciated as today by producing the first Star Wars movie in 16 years. Yes, it was difficult to fathom, but the legion of Star Wars fans the world over had waited over a decade for a new film.