Occupy Wall Street

In 2009, filmmakers Aaron Aites and Audrey Ewell presented Until the Light Takes Us, an enlightening – excuse the pun – exploration of Norway’s black metal movement, a scene that picked up steam in the 90s and became inundated with controversy surrounding church burnings, murders and satanic posturing.

The only way to start talking about Nicholas Ray’s We Can’t Go Home Again is to first search for the words to describe how the film appears on screen. For the most part, a black rectangle appears over a matte – a shifting series of still images of the Binghamton University campus, where Ray was …