Orla Brady

Doctor Who Christmas Special promo imageIn short, “The Time of the Doctor” features a plot that, while it is easy (on the Moffat scale) to follow, almost immediately fails the, “But why?” test. Why does the fleet understand what “Doctor who?” means? Because the plot needs them to. Why doesn’t the Doctor take the townspeople out of harm’s way with the TARDIS? Because. Why do the Doctor and Clara need to be naked, for that matter? Because. The answers we finally get to lingering questions aren’t satisfying, the promising new character of Tasha Lem is a pretty straightforward copy of River Song, and the gender politics are terrible (and in this reviewer’s opinion, destructive). The Doctor may have some fantastic scenes, including the final moments with Clara before his regeneration, but he treats her terribly and she doesn’t for a moment stand up for herself. After the wonderful “The Day of the Doctor”, this final story for the Eleventh Doctor is a significant disappointment, highlighting all of the most problematic elements of his tenure.

Fringe Review, Season 4, Episode 9: “Enemy of My Enemy” Written by Monica Owusu-Breen and Alison Schapker Directed by Joe Chappelle Airs Fridays at 9pm (ET) on Fox This week, on Fringe: Both Universes unite against a common enemy, Asptrid thinks Peter’s cool, and Walter gets a surprise visitor. **Quick rundown of current Fringe nicknames: …

Fringe Review, Season 4, Episode 8: “Back to Where You’ve Never Been” Written by David Fury and Graham Roland Directed by Jeannot Szwarc Airs Fridays at 9pm (ET) on Fox This week, on Fringe: Peter crosses over to the Other Universe, Lincoln plays Clincoln, and shapeshifters are once again up to no good After a …