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Follow In The Footsteps of Apocalypse in This ‘X-Men: Apocalypse’ Viral Video

Y’know, I honestly have no idea how X-Men: Apocalypse is gonna shake up, in terms of quality or box office performance. Not that I can usually predict these things with any sort of accuracy, but it seems like the kind of movie that would be just as likely to under-perform as it is to be a …

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The Age of Oscar Isaac Continues in the Delightful Short ‘Ticky Tacky’

Oscar Isaac needs to slow the heck down. Not because he’s liable to burn himself out, but because he’s quite frankly making every other actor in the business look bad. He’s like the Nicholas Angel of actors. Able to step effortlessly from small, intimate indie projects like Ex Machina to massive blockbusters like The Force Awakens and …

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Video: Ex Machina – The Fear of Artificial Intelligence

After being a runaway indie hit earlier this year, a new video explores the use of artificial intelligence in the movies, specifically focusing on the Alex Garland film, Ex Machina. In the video, Garland and his team sit down with The Creators Project to discuss their inspirations for the film, the relation between AI and …

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New Projects: Bradley Cooper, LBJ, Reese Witherspoon, and Meg the Shark

After American Sniper was the biggest box office draw of 2014, it seems anyone will pay to see Bradley Cooper in uniform again. Deadline reports Cooper is set to produce Ghost Army, a World War II story about an agency tasked with feeding the Nazis fake intelligence about the actual number of American troops, with the …

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Smart, stylish ‘Ex Machina’ brilliantly mixes emotions and technology

Ex Machina is a superior techno-thriller that asks a lot more questions than it’s willing to answer. Filmmakers have long exploited the dangers of artificial intelligence, but few have the courage to examine the hubris behind Man’s technological self-destruction. Alex Garland’s assured directorial debut showcases a patient filmmaker adept at world building. Like all good sci-fi films with big ideas and bold visuals, you’ll be thinking about Ex Machina long after you leave the theater.

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‘A Most Violent Year’ is a first-rate dissection of the American Dream

A Most Violent Year Written and directed by J.C. Chandor USA, 2014 A desperate man has no lengths that he won’t go to protect what is his. Abel Morales (Oscar Isaac) owns a large stake of the heating oil trade in New York City, but he is leveraged to the hilt. A prime piece of real …

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‘The Two Faces of January’ is a slow-burner that tests your loyalties

Guilt is a powerful motivator. Its nagging voice can corrupt even the noblest of intentions. In the case of The Two Faces of January, a son’s guilt leads him into a questionable alliance in which he becomes inextricably trapped. There are twists and turns, jealousy and lust, but the real pleasure of a film like this is watching how far people will go to silence those nagging voices. Even if it means losing everything they care about.

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‘The Two Faces of January’ cannot sustain a sense of dread

Patricia Highsmith is one of those authors whose body of work the film industry just can’t stop panning for gold. The Two Faces of January is the latest adaptation of one of her books, and it ticks off most of the drinking game check marks we’ve come to expect from her stories: a vivid locale, desire that turns deadly, antagonists bound together by circumstance, numerous double-crosses, and a general mood of darkness in the soul. This is also the directorial debut of Hossein Amini, whose genre screenplays (Drive, Snow White and the Huntsman, 47 Ronin) have become a hot Hollywood commodity in recent years. With the help of a capable crew, Hossein has helmed a thoroughly capable film.

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HBO greenlights miniseries ‘Show Me a Hero’, with Oscar Isaac, Catherine Keener

  Deadline reported Wednesday that HBO has officially greenlit Show Me a Hero, a six-hour miniseries from David Simon (co-creator of The Wire). The miniseries will star Oscar Isaac (Inside Llewyn Davis, and the upcoming Star Wars: Episode VII) and Catherine Keener (Captain Phillips, Being John Malkovich). Academy Award-winning filmmaker Paul Haggis (Crash, Million Dollar Baby) is set to direct. The …

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‘The Two Faces of January’ an undercooked take on an overlooked Patricia Highsmith novel

The Two Faces Of January Written and directed by Hossein Amini USA and UK, 2014 Anyone acquainted with Roman theology or a pub quiz will know that January is a Anglicisation of the Roman god Janus, the two-faced figurine  who stands at the cusp of the new year, simultaneously musing backward at recent lessons and …

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SFIFF 2014: The Good, The Bad, and The Mediocre

Begin Again Formerly known as Can a Song Save Your Life?, writer-director John Carney’s latest film marks a return to the New York music scene in an uplifting tale of reinvention and rediscovery. Keira Knightley stars as Greta, an amateur singer-songwriter left heartbroken in the Big Apple after her douchebag musician boyfriend Dave (Adam Levine) …

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‘In Secret’ a dour, lifeless period piece stranding an overly talented quartet of performers

In Secret Written and directed by Charlie Stratton USA, 2013 What occurs in the new film In Secret feels less like a natural progression of logical events, instead of something more pre-ordained and unnecessarily fatalistic. The characters existing inside of this turgid tragedy do not act freely, but as if guided by an invisible puppet …

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‘Inside Llewyn Davis’ is yet another master class of cinema from Joel and Ethan Coen

Inside Llewyn Davis Written and directed by Joel Coen and Ethan Coen USA, 2013 It takes only a few minutes of Inside Llewyn Davis for its title character to comfortably enter the pantheon of iconic characters created by Joel and Ethan Coen. There’s no point, granted, in comparing him directly to Barton Fink or Marge …

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NYFF 2013: ‘Inside Llewyn Davis’ a melodic cinematic pleasure that engages despite its acerbic anti-hero

The Coen Brothers return with Inside Llewyn Davis, a caustic yet affectionate glimpse into a struggling artist’s life during the folk music scene of the early ‘60s. Llewyn Davis (Oscar Isaac of Drive) is a temperamental musician in Greenwich Village whose poor decision-making and an inability to connect to others outside of selfish reasons have landed him with little more than the clothes on his back.

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