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The Red Road, Ep. 1.04, “The Bad Weapons” handles its characters with care

Two thirds of the way through its inaugural season, The Red Road is somewhat of a puzzle. It has interesting, well-explored characters and an appropriately teased slow-burn Deep Dark Past mystery. Where it falls down is its pacing and urgency- very little of interest is happening in the present. There’s plenty the characters don’t know but due to the split narrative approach, following each of our leads through the past several weeks rather than adhering to one or another’s POV, the audience has these answers and that, combined with the strong sense that the central trio is here to stay, leaves the show sputtering on a plot level while it excels with its character beats.

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The Red Road, Ep. 1.02, “The Wolf and the Dog” adds interest, specificity to characters

In its pilot, The Red Road introduced viewers to a community rarely represented on television, a (state, but not federally, recognized) Native American tribe, along with a local white police officer and his family. The pilot, a solid though somewhat generic episode, struggled with some of its central figures, but separated itself thanks to its unique setting. This week, that element unfortunately remains almost completely relegated to the background, but the writers make up for this lack of specificity by developing their central trio in surprising and entertaining ways.

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The Best Films of the Decade: 2000 – 2009 Part 2 (Revised)

134- Birth (2004) Directed by Jonathan Glazer Genre: Drama A stylistically bold movie that combines the surrealist work of Luis Buñuel while evoking the austere technical mastery of Stanley Kubrick, Birth is visually dazzling, always unpredictable and features lingering performances by Nicole Kidman and 11-year-old Canadian actor Cameron Bright. Coupled with an intriguing premise about …

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