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Grimm, Ep. 3.15, “Once We Were Gods” worldbuilds while demonstrating strong series memory

Grimm explores folk lore and legend on a weekly basis, but this week they go further, adding religion to the mix with the revelation that the Ancient Egyptian gods were Wesen. It’s a fun idea and one that works well for the show, particularly when contrasted with the little we’ve seen of the Wesen community. There’s the spice shop and a few other Wesen-friendly (or Wesen-only) businesses and establishments, and of course the Wesen street gangs introduced this season, but on the whole, the Wesen we’ve meet over the course of the series have been more or less in hiding, passing as human and doing their best to avoid detection.

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Grimm, Ep. 3.14, “Mommy Dearest” an overdue spotlight for Sgt. Wu

It’s taken three seasons, but this week Grimm finally gives Sgt. Wu, and Reggie Lee, the chance to shine. Given how (comparatively) swimmingly both Hank and Juliette’s transitions went from Kehrseite (human) to Kehrseite-Schlich-Kennen (human who knows about Wesen), it seemed likely Wu wouldn’t get off so easily, but hopefully this is not the last we’ve seen of the good Sergeant. Reggie Lee has long been an asset to the show, bringing depth and interest to what could easily have become a forgettable background player; it would be a shame to lose him. While it’s starting to get a bit ridiculous that everyone in Nick’s life is in on things, and down to fight the good fight, other genre shows have managed this large of an in-the-know ensemble in the past and it’ll be interesting to see how Grimm addresses this.

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Grimm, Ep. 3.07-08, “Cold Blooded” and “Twelve Days of Krampus” a mixed midseason sendoff

Grimm gets a much-hyped two-part sendoff this week; unfortunately, the buzz winds up hampering the mood, sending the show off to hiatus with more of a pleasant smile than the bang many were likely hoping for.

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SDCC 2013: Grimm Cast and Producers talk Season 3

Grimm is one of the more successful and inventive of the genre series on network television right now and, perhaps more interestingly, it’s one that seems to absolutely understand its genre predecessors and fanbase. It may not garner huge ratings or critical attention, but it quietly serves its audience each Friday on NBC, providing reliable, …

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Grimm, Ep. 2.07, “The Bottle Imp”: All Work and No Play Makes Renard a Dull Boy

Grimm, Season 2, Episode 7, “The Bottle Imp” Written by Alan DiFiore Directed by Darnell Martin Airs Fridays at 9pm (ET) on NBC Okay, maybe the reference to The Shining is a little obscure, but c’mon, this is a movie website. I can’t be the only one who flashed to typewriters in the Overlook when …

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Grimm, Ep 1.21, “Big Feet”: Making the Outside Match the Inside

Grimm Review, Season 1, Episode 21: “Big Feet” Story by: Alan DiFiore & Dan E. Fesman Teleplay by: Richard Hatem Directed by Omar Madha Airs Fridays at 9pm ET on NBC It always annoys me when characters in shows have professions as an add-on rather than an integral part of who they are and in …

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Grimm, Ep. 1.12, “Last Grimm Standing”: Renard shows his cards

Captain Renard has to exert his authority in the Vesen world when a cage fighting ring gets out of control. Grimm Review, Season 1, Episode 12: “Last Grimm Standing” Written by Naren Shankar and Sarah Goldfinger (teleplay) and Cameron Litvack and Thania St. John (story) Directed by Michael Watkins Airs Fridays at 9pm EST on …

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Grimm, Ep. 1.03, “Beeware”: Conflict makes storyline strong

Grimm Review, Season 1 Episode 3, “Beeware” Written by Cameron Litvack & Thania St. John Directed by Darnell Martin Airs Fridays on NBC at 9pm (ET) Early in the episode, Nick is trying to access a tweet from a cloned phone, but the suspect using the phone is cautious and has found a way to …

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