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NYFF ’15: “Carol” is about the look of love

It begins and ends with a look. In that look is hesitance, longing, desire, confusion, confidence, conviction, hope. Even love. On NPR’s Pop Culture Happy Hour, writer and critic Glenn Weldon described real chemistry between actors living in the look, elaborating on the attraction manifesting in the movement of the eyes.

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‘Pan’ is a fantastic mess and a messy fantasy

Pan Written by Jason Fuchs Directed by Joe Wright USA, 2015 Peter Pan gets the Star Wars treatment by way of Baz Luhrmann in Joe Wright’s Pan, an attempt at putting a somewhat original spin on a children’s classic. In true Hollywood style, however, the film is so hampered by studio notes that it almost …

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New Projects: Bradley Cooper, LBJ, Reese Witherspoon, and Meg the Shark

After American Sniper was the biggest box office draw of 2014, it seems anyone will pay to see Bradley Cooper in uniform again. Deadline reports Cooper is set to produce Ghost Army, a World War II story about an agency tasked with feeding the Nazis fake intelligence about the actual number of American troops, with the …

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‘Me and Earl and the Dying Girl’ director bags Hugh Jackman, Rooney Mara for next film

Me and Earl and Wolverine and Lisbeth Salander? Maybe another time. Alfonso Gomez-Rejon, director of the Sundance darling Me and Earl and the Dying Girl, has snagged Hugh Jackman and Rooney Mara for his follow-up, Collateral Beauty. According to Variety, the emotional drama comes from an original screenplay by Allan Loeb (21, Rock of Ages). …

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‘Her’ an excellent, assured vision of uncertain romance and futuristic technology

Her Written and directed by Spike Jonze USA, 2013 It is nearly impossible to describe the feeling that sets in almost instantly while watching Her, the newest directorial effort from the experimental Spike Jonze. Though the opening shots, like those which follow, are stitched together carefully, crisply, and beautifully, it’s not simply a blend of …

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3 Dragon Tattoo Girls: The Art of Adaptation

Oplev’s vesion hesitates not a second in taking the same characters and the same plot and rewiring them, switching the focus from the investigation to central relationship. Fincher’s film is an adaptation that both on page and on-screen is a loyal and loving tribute to the book, a rarity with such efforts. The term remake, perversely, has never been more appropriate.

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‘Side Effects’ is a twisty tale of shifting alliances

One of the persistent side effects of what may turn out to be Steven Soderbergh’s final theatrical release is destabilization. The film, aptly named Side Effects, is constantly forcing you to reevaluate who its characters are, what their motivations might be, and ultimately, what kind of story we are watching. In this regard, it becomes an almost perfect capstone to the career of one of Hollywood’s most prolific and versatile filmmakers.

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‘Side Effects’ is another great thriller from Soderbergh,

t is with a significant pang of regret in 2013 that we bid a fond adieu to director Steven Soderbergh, but at lerast we have the smnall placebo of two remaining films from the incredibly profligate director, beginning with his penultimate film Side Effects. If you’ll excuse the pun I don’t wish to get too ‘side’tracked but I think there are a few crucial items to consider before we delve into the movie itself, a concluding episode to his career which is as expected a superb contemporary drama which springboards into other areas with the dexterous ease of a state drilled East German Olympic gymnast, namely what on earth could drive such a prolific and endlessly inventive cinematic soul into potential big-screen retirement?

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‘Side Effects’ a thrilling potential swan song to Steven Soderbergh’s career

Side Effects Directed by Steven Soderbergh Written by Scott V. Burns USA, 2013 What Steven Soderbergh excels in as a filmmaker is in defying expectations. We can spot a Soderbergh film easily enough through his visual markers, whether he’s making a heist film or a lowdown action film or a story set in the world …

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Rooney Mara has been cast in the coveted role of Lisbeth Salander; Max Von Sydow could be next?

In what is really not a surprise, Sony Pictures has cast actress Rooney Mara in the coveted and hard fought role of Lisbeth Salander in David Fincher’s upcoming adaptation/remake of Stieg Larsson’s The Millennium Trilogy (The Girl with the Dragon Tattoo, The Girl who Played with Fire, The Girl who Kicked the Hornet’s Nest).  Deadline …

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The Coveted Role of Lisbeth Salander in The Girl with the Dragon Tattoo has been Officially Cast

The coveted role of Lisbeth Salander in The Girl with the Dragon Tattoo has been officially cast to actress Rooney Mara. The upcoming film being directed by David Fincher, is a remake of the original Swedish adaptation of the book by the same name, written by the late Stieg Larsson. Mara is an actress who’s …

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