‘Schizopolis’ – Soderbergh’s schizoanalysis of everything and nothing
Steven Soderbergh followed The Underneath, a superb neo-noir that expertly uses widescreen framing and color photography to its full potential, with Schizopolis, a film motivated by his feelings of artistic impotence. This is somewhat surprising given that The Underneath is one of his best films, one of the best neo-noirs from the nineties, and one …