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Ozu’s ‘Tokyo Chorus’ Movie Review – sings in counterpoint to The Crowd

Tokyo Chorus Directed by Yasujirô Ozu Written by Kôgo Noda Japan, 1931 After launching its 2013 schedule with one of the most unrelentingly somber works of art ever committed to celluloid, the TSFF took a more genial tack on the second night of its run. Revered for his celebrated series of post-World War Two family …

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Tom Peters’ new score for Dreyer’s Passion of ‘Joan of Arc’ adds immensely to an already overwhelming cinematic experience

The Passion of Joan of Arc Directed by Carl Theodor Dreyer Written by Carl Theodor Dreyer & Joseph Delteil France, 1928 The Toronto Silent Film Festival got off to an impressive start at Innis Hall on Thursday night, as a packed room experienced the inspired fusion of two complementary works of art, created 85 years …

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Glasgow Film Festival 2012: The restored ‘Loves of Pharaoh’ is a must-see for Ernst Lubitsch fans

The Loves of Pharaoh Written by Norbert Falk and Hanns Kräly Directed by Ernst Lubitsch Germany, 1922 Ernst Lubitsch is best known for his work in Hollywood, operating as a master of comedies until his death in 1947. He left behind a legacy of films that includes the much beloved likes of The Shop Around …

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‘The Artist’ works as an effective homage to, rather than an irritating aping of, a particular brand of populist cinema

The Artist Written and directed by Michel Hazanavicius France/Belgium, 2011 This review contains some minor narrative spoilers. Contrary to an assertion prominent in its now mammoth publicity machine, The Artist is not a silent film. There are actually some notable examples of diegetic sound within it, and aside from being in black and white, though …

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Scoring the Silents

Undertones: Volume 3 From the beginning of cinema theatre owners tried a variety of methods in which to add sound to film. Initially the reasons for the addition of sound varied from people being weirded out by seeing mute folks onscreen to utilizing it as a means in which to mask the noise made by …

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