What makes a brilliant script? Is it quotable lines? Is it nuanced dialogue? Or is it just the ability to move the story along and not get in the way? When looking back through the history of screenwriting, there are plenty of iconic films based on previous work; the Writer’s Guild of America voted Casablanca …
When we think about the “writer/director” we often think about the works of Quentin Tarantino, Kevin Smith, Paul Thomas Anderson, Jean-Luc Godard or Lars Von Trier. The auteurs who charge into the uphill battle of putting their own story to film. It’s more than a credit, it’s a type of filmmaker – one that more …
It’s little wonder “Sullivan’s Travels” came in at number 61 on the American Film Institute’s 2007 list of the top 100 motion pictures. This is a great, great film.
Jeff Lemire’s Animal Man stands out as one of the strongest books from the early days of the New 52. The story follows the titular Animal Man, a.k.a. Buddy Baker, a former stuntman, turned father, turned superhero, turned animal rights activist. His powers were granted when aliens experimented on him and gave Buddy Baker access to a morphogenetic field entwined with all animal life on Earth from which he can draw many abilities: the reflexes of a fly, the strength of a rhinoceros, and many more.
In Preston Sturges’s landmark 1941 film Sullivan’s Travels, the writer-director achieves a unique balance of genre aesthetics. The film is billed as a comedy, and it more than earns that title. But a significant portion of it is actually a tragedy, completely unlike anything else in the film. The combination of both sides of the coin …
1)Nashville (1975) Robert Altman’s Masterpiece captured America in the 70s like one else: All its confusion, disappointment, and uncertainty. The film follows 24 different characters over a period of as few days in Nashville just before a political fundraising concert. We take a peak in the lives of country music superstars, hippies, aspiring singers, mothers, …