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‘The Gambler’ nails the look, but misses the feel of the original

Usually the first thing added to a film when it is remade is glitz. American films from the 1970s had their own distinct, philosophical quality to them, something that inevitably gets lost in translation when the material is put to screen again by a new team of filmmakers. Still, the one thing I didn’t anticipate while watching screenwriter William Monahan and star Mark Wahlberg tackle The Gambler was a lack of visceral thrills. Director Rupert Wyatt’s film nails the look of 1974’s The Gambler, but it lacks the feel of the original.

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Scorsese & Tarantino: Whose Streets Are Meaner?

I’ve got Martin Scorsese and Quentin Tarantino on my mind these days.  It’s a product of the end-of-year hurrahs for Scorsese’s Hugo.  The film goes into the Academy Award ceremonies with 11 Oscar nominations – the most of any film this year – including a Best Director nod for Scorsese.  Win or lose, Marty’s on …

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The Vampire Diaries Ep. 3.22, “The Departed”: Strong finale delivers twists, character

The Vampire Diaries Review, Season 3, Episode 22: “The Departed” Written by Julie Plec (Teleplay), Brett Matthews and Elizabeth R. Finch (Story) Directed by John Behring Airs Thursdays at 8pm (ET) on the CW This week, on The Vampire Diaries: Bonnie makes her play, Elena makes her choice, and the writers make a bold season-ending …

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Why Can’t An Oscar-Winner Look More Like A Hit?

 Throughout the first half of February, the Sound On Sight staff will take a look at the Academy Awards. Whether one of the major studios takes the top prize at the Academy Awards or not, they have no squawk this year. Several years ago, as you might recall, the Big Guys were getting fed up …

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