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‘The Fiction’ #4 ends with a climatic battle of good and evil

The Fiction has been a very entertaining and enlightening ride, venturing beyond the nostalgic connections one has with their childhood into deeper emotions like regret and isolation. Each of the characters within The Fiction were given a respectable amount of treatment, gradually learning over the four issues the way each of them were dealing with these vast emotions and the influence that the past still had.

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‘The Fiction’ #3 is haunting and beautiful as darkness arrives

The Fiction #3 acts as the boiling point to this pressure cooker of a series, really making a statement as one of the best series that BOOM! Studios have released this year. The play on memory and truth, on understanding and ignorance, of good and evil, are themes that continue to be experimented with through Curt Spires’s imaginative script, David Rubin’s surreal and organic lines, Michael Garland’s atmospheric colours and Colin Bell’s quality lettering to top it all off. It will be exciting to see how it will all end, as much as it will be sad.

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‘The Fiction’ #2 dances with nostalgic emotions

The newest issue of The Fiction picks up right where the last one left off with Kassie and Max returning to the fictional reality they ventured into as young kids. Kassie has convinced Max to aid her in the hopes of finding Tyler, one of their childhood friends, who has appeared to be taken from their reality into this fictional one.

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‘The Fiction’ – a noble cinematic hat trick for any first time filmmaker

The Fiction Directed by Danny DiLeo Written by Danny Dileo USA, 2010 Rookie filmmaker Danny DiLeo’s breakout film, The Fiction, provides a triple delight, one part Alfred Hitchcock, one part Stephen King, and one part Rod Serling. In this ambitious effort as writer, producer, and director, DiLeo breaks both rules and boundaries, delivering an entertaining …

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