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The Definitive ‘What the F**k?’ Movies: 20-11

20. Fear and Loathing in Las Vegas (1998) Directed by: Terry Gilliam So…drugs, right? Based on Hunter S. Thompson’s 1971 novel of the same title, Fear and Loathing stars Johnny Depp and Benicio del Toro as Raoul Duke and Dr. Gonzo, respectively. The pair is heading to Sin City, speeding through the Nevada desert, under …

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The Definitive Kubrickian Films: 30-21

The difficulty in counting down films so clearly influenced by Kubrick is that there are certain directors who are just tailor-made for it. So, you start to run into situations like this section of the list, where two directors have two films and two other directors had a film mentioned in the last section. But …

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5 Surprising Personal Passion Projects of Legendary Directors

There’s something inherently lonely and tortured about being a director. Yes, you’re the tyrant of the set and dictator of the vision, but you’re also the man (or woman) behind the curtain, the puppet master who never appears on stage….unless you’re Clint Eastwood or Quentin Tarantino. Or Alfred Hitchcock….or Roman Polanski…ANYWAY, the point is that …

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More Equal Than Others: Six Films of 2012 Done Better

For better or worse, films don’t exist in a vacuum. If literature derives from itself, and, according to Marshall McLuhan, the content in any new medium is always the same as in the old, then films don’t exactly have a wealth of opportunities to be original. You can always compare a film to one that …

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Unsung Gems – ‘The Fountain’ features one of the most unforgettable film climaxes of all time

The Fountain Directed by Darren Aronofsky Screenplay by Darren Aronofsky & Ari Handel US, 2006 A return to the biblical epic for Hollywood has seen eyes drawn once more towards one Darren Aronofsky, coveted Tinselltown Director and creative force behind 2014’s Noah, a star studded and hugely ambitious leviathan of a picture reminiscent of 1950’s …

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More Than Meets the Eye: 4 Films That Demand a Second Viewing

Having focused perhaps too much attention on the negatives in cinema during recent musings, whether it’s the possibly warped conservatism of the Oscars, or films that are depressingly poor, time has come for this writer to look at some positives. So what could be more positive than the films that you simply must watch again, …

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